![]() pages cm Includes bibliographical references and index. Automotive prosthetic : technological mediation and the car in conceptual art / by Charissa N. ![]() Library of Congress Cataloging-in-Publication Data Terranova, Charissa N. Box 7819 Austin, TX 78713-7819 ♾ The paper used in this book meets the minimum requirements of ANSI/NISO Z39.48-1992 (R1997) (Permanence of Paper). Te rr an o va Copyright © 2014 by the University of Texas Press All rights reserved Printed in the United States of America First edition, 2014 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Citation previewĪu t o m o t i v e P r o s t h e t i c U ve ni rs A of ity Te x P as t u s re s, Au in st m o o i t e v Pr t s o e h Me di i at c i t on an d a l th c i e g Ca o l o r n h i c n Te Co n ce pt ua Ch l Ar ar t is sa N. Conclusion: The "Freedom" of Automotive Existence. Richard Prince: The Fetish and Automotive Maleficium. Hummer: The Cultural Militarism of Art Based on the SUV. Communication Space: Automotive Urbanism in Dan Graham's Work. The Nows of the Automotive Prosthetic: Moving Images, Time, and the Car. Mobile Perception and the Automotive Prosthetic: Photoconceptualism, the Car, and Urban Space. Conceptual Car Art: Rethinking Conceptualism through Technology.
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